Its that time of year again, time to brandish some scary T-shirts and join the other lovable weirdoes at the H P Lovecraft film festival. This year has been BRUTAL. Things are bleak and we are already feeling like we’re living through a horror movie. Still, it was a MUCH needed break to attend this year. Curiously traffic was horrendous getting into Providence so we ended up late, scarfing down some fast food while jogging to the RISD. We made it just on time, though one of our companions had to relinquish the burning hot fries he had failed to eat while jogging. No food in the theater.

It was a small but dedicated crowd this year. On this night we got to see a block of horror shorts followed by a 40th Anniversary viewing of the ever-grusome satirical cult classic Re-Animator followed by a Q & A with the screen writer, which was for me more entertaining than I anticipated.

The shorts were as follows:

The Outsider: A three minute animation making it’s US debute from Canada. This one showed the struggles of a lonely cyclops just trying to find their people with a comical twist ending.

Stargazer: Answers the question what if stars could come to earth as people and seduce socially fucked up astronomers.

Undertone: I think I was mentally somewhere else for the entire 13 minutes of this one. Despite this being yesterday I remember exactly nothing of it. SORRY.

The Music of Erich Zann: A recently restored 1980’s short depicting how music can drive you mad. Cosmically mad. Ahhhhhhh.

Where the Shadows Feast: This one wasn’t just horror but also a film noir with a black male lead and I must say, I am all here for that. He did a great job and the “shadows” were effectively scary/unnerving which is a high compliment coming from me. Generally I just find horror monsters hilarious… which I think is why people keep looking at me with recognition. Oh, the psycho laugher is back. 😬

The Itch: If ever there were a horror concept I’d be intimately aware of it’d be this. I’ve itched off layers of skin on many occasions and have had yeast infections so angry its made me want to fuck a wad of steel wool. I have not however accidentally killed myself itching too hard. This one had a fun rivalry and a couple twists.

Thrift Store Ouija Board: This one was just super juvenile. Teen girls having a super stupid teen girl spat with the aid of a ouija board. Also if you’re wondering the moving triangle piece on a ouija board is called a planchette. You’re welcome.

And then that brought us to Re-Animator which I’ve seen but apparently repressed 90% of it. The only thing I remembered was the actors. They looked familiar. Sorta. But anyway, it was gorey, gross, and fucked up in that special kind of way that you only see when a group of writers gather around and egg eachother on to write the most depraved thing ever. I respect it for that. I respect it more for adding humor over the top of that. It is however very much a movie of its time with the only woman present a bit of an annoying bobble-headed blonde. There was an attempted rape scene enacted by a decapitated head so that was… just ewe. Honestly, I felt this was more ewe than all the other ewes. And there was a lot of other ewes.

Afterwards the screenwriter Dennis Paoli took questions and talked a little about it. He explained it was a very short run film that only played in a handful of theaters because it was unrated (GEE, I WONDER WHY) and that it gained popularity when it came out on VHS. Now its a cult classic and I’m happy it was never remade. I can deal with 70’s gore but hyper realistic current gore would be too much for me personally. He also accidentally brought the mood of the entire room down by pointing out all the themes in the movie that made it so terrifying – male researchers who don’t know when to stop, the promise of great wealth to potentially evil creations, a broken health care system, humanity’s fear of death, and even the horror of college loans are probably all worse today than 40 years ago. Weren’t we all here to momentarily escape the bleakness of current American living?

Luckily he cheered us all right back up by wandering way off the beaten path and telling us how his theater play version of Peter Pan was banned for nudity. Peter Pan was re-imagined as a hippie, Tinkerbell was his boyfriend, the Indians were replaced with black folk, the pirates were Chicago police, flying was just tripping on acid and the flying scene was both male and female actors dancing naked to In A Gadda Da Vida. “And we didn’t even change the dialogue at all from the origional. It just worked.” And now I want to time travel to see this. I already had a soft spot of fucked up retellings of Peter Pan since I saw an absolutely god awful independant film called Neverland: Never Grow Up, Never Grow Old where Tinkerbell was a user/seller of fairy dust, Neverland was an abandoned amusement park, and Hook was a Pan-obsessed leather bound pedophile. This makes me nostalgic for the independant film era of the 2000s before corporations bought them all out and turned them back to shit. To be fair this entire film festival makes me want to start making my own little films. Probably animation as I don’t have the people skills to successfully convince a handful of “actors” to run through a park acting crazy or whatever I’d need to accomplish such a task. My creative mind is still aching to play, even as the rest of me is crushed by currant circumstance. Tell you what though, if ever globalized healthcare and universal basic income become a thing here in the US I promise I’ll make y’all a little film.