I lived not far from Worcester for a few years and always heard these faint whisperings about the city’s unofficial mascot, something that had caused so much local speculation that it continues to divide the innocent from the cynical. Officially it’s called the Burnside Fountain which is topped with a statue titled Boy and Turtle. Colloquially it is often referred to as just Turtle Boy. It is a piece of art so contentious in its form and so muddled in its creation that it leaves audience both scratching their head and giggling. One of my deepest regrets of moving out of the area was the fact I never found the time to see the inspiration for so many lewd jokes, unsolicited commentary, and less than honorable mentions. When I found myself once again in Worcester helping a friend run errands I knew what I had to do. I had to find Turtle Boy.
I’ve seen photos online but nothing quite brings it home like seeing it in person from all sides. It leaves little to the imagination, which is a bit shocking considering it’s a publicly displayed piece of art adorning the park in downtown Worcester. The more Puritanical residents maintain that it depicts a boy riding a turtle and is supposed to imbibe, “innocence, joy, and rebirth.” Those of us less adept at cognitive dissonance are of the opinion that it depicts a far less savory subject matter. In fact in online forums it’s gotten some notoriety as “The Turtle-Fucking Boy” where one local has gone so far as to call it Worcester’s unofficial monument to bestiality. This is a life-size piece and if you visit it you can look the turtle directly in it’s anguished face. As one internet commenter lamented, “That is not the face of consent.”
While visiting it I couldn’t help but melt into a puddle of my former twelve year self, giggling, and pointing, and yelling. “OH MY GOD!” No matter how you decide to look at it, and what it may or may not depict, you can’t help but wonder whhhhhhy does it even exist?! The story of Turtle Boy is a long one, filled with gaping holes of knowledge, that will leave even the most adept historian deeply unsatisfied. On the other hand, if you’re one for a sideways glance and a bit of dry humor, it could make for an entertaining read so here it goes:
Samuel Burnside was a well known lawyer in the town of Worcester whose family became quite well respected for their humanitarian efforts. After his death his daughter Elizabeth Burnside gave $5,000 to the city to create a drinking fountain in his memory. It was 1905 and the purpose of the fountain was not to satiate the needs of humans but rather to keep local horses and dogs well hydrated on their rounds. The water bowls on the basin are made in two heights for the ease of these beasts of burden. What Elizabeth probably neglected to mention as she was commissioning this work was that it really oughtn’t depict anything particularly racy, in case, God forbid, her father’s memory be forever linked to the carnal lust of one teenage boy for sea turtles…
The fountain was designed by Henry Bacon, the same guy who later went on to make the Lincoln Memorial in Washington DC, but the bronze atop of it was left to Charles Y Harvey who enthusiastically took the job believing it’d be his masterpiece. And that’s where this story takes a delightfully dark New England turn. You see he only got to work on his masterpiece for approximately a week before he claimed to hear voices commanding him to kill himself. Some claim these voices came from the work itself, perhaps even from the traumatized turtle’s defiant beak. And on January 27, 1912 he was found on the banks of the Bronx river having slashed his own throat open with a razor. He did not survive. Sherry Fry was then asked to finish the piece, “According to Harvey’s original design.”And so he did. Or didn’t. It’s really hard to say because I can’t for the life of me envision anyone sculpting a scene of such vibrant turtle rape. Personally my suspicion lays on him – did he in fact create the vision of Charles Y Harvey, which could have been deeply disturbed to begin with, or did he apply some less than proper poetic justice for some other reason? Perhaps he knew Harvey, or the guy the fountain was dedicated to, and wanted to embarrass them after their deaths or maybe he was pulling and elaborate stunt on the city of Worcester. Or maybe it was some sort of inside joke… in the end it doesn’t matter because everyone involved in the project still managed to get the statue set up and displayed to the public but there are more than just a few rumblings to suggest that they too saw what we see today – one such clue is the fact the statue never had a public ceremony when it was installed. Instead they probably put it up in the dark of night and left it there to see what would happen. People may have whispered and muttered but the statue was allowed to stay and in fact started to work its way into local folklore. It even was moved once to a more populous location and was even stolen in 1972 by unknown vandals who later returned it.
It’s an uncomfortable work and an even more confusing story behind it. Perhaps this is why it’s not only dry and out of use it’s also rotting without any plans on restoring it. After one hundred years it still stands, oddly victorious, sending some sort of message to someone… but we’ll likely never what that message was or to whom it was meant for.
And to end my little story here is me – unable to maintain a straight face as I pose with the strangest monument I have yet to see.
